Advanced Search

Journal Navigation

Journal Home

Subscriptions

Archive

Contact Us

Table of Contents

Click here for more information on Music Business Handbook and Career Guide

Sign In to gain access to subscriptions and/or personal tools.
Journal of Research in Music Education
This Article
Right arrow Full Text (PDF)
Right arrow References
Right arrow Alert me when this article is cited
Right arrow Alert me if a correction is posted
Right arrow Citation Map
Services
Right arrow Email this article to a friend
Right arrow Similar articles in this journal
Right arrow Alert me to new issues of the journal
Right arrow Add to Saved Citations
Right arrow Download to citation manager
Right arrowRequest Permissions
Right arrow Request Reprints
Right arrow Add to My Marked Citations
Citing Articles
Right arrow Citing Articles via Google Scholar
Right arrow Citing Articles via Scopus
Google Scholar
Right arrow Articles by Lum, C.-H.
Right arrow Search for Related Content
Social Bookmarking
 Add to CiteULike   Add to Complore   Add to Connotea   Add to Del.icio.us   Add to Digg   Add to Reddit   Add to Technorati   Add to Twitter  
What's this?

Home Musical Environment of Children in Singapore

On Globalization, Technology, and Media

Chee-Hoo Lum

National Institute of Education/Nanyang Technological University, cheehoo.lum{at}nie.edu.sg

The home musical environments of a class of 28 first-grade children in Singapore were examined in this ethnographic study. Technology was an integral part of the soundscape in the home. The musical repertoire gathered was closely associated with electronic and pop-influenced music, approaching the styles favored by teens and adults. Particular musical styles and selections that the families listened to and watched through the media also fueled these children with a sense of ethnic identity and nostalgia. Children's popular media culture was part of these children's broader social repertoire, creating a shared frame of reference for their musical play and generating cultural capital that was valued within their peer groups. Consideration of the various contexts in which these children learn about music, where their musical identities are being shaped under the influences of their techno-, media-, and ethnoscapes (dimensions proposed by Arjun Appadurai), has implications for music education classroom practices.

Key Words: home musical environment • technology • children • media • globalization

Journal of Research in Music Education, Vol. 56, No. 2, 101-117 (2008)
DOI: 10.1177/0022429408317517


Add to CiteULike CiteULike   Add to Complore Complore   Add to Connotea Connotea   Add to Del.icio.us Del.icio.us   Add to Digg Digg   Add to Reddit Reddit   Add to Technorati Technorati   Add to Twitter Twitter    What's this?