Advanced Search

Journal Navigation

Journal Home

Subscriptions

Archive

Contact Us

Table of Contents

Click here for more information on Music Business Handbook and Career Guide

CiteULike is a free service for managing and discovering scholarly references - click here to get started.

Sign In to gain access to subscriptions and/or personal tools.
Journal of Research in Music Education
This Article
Right arrow Full Text (PDF)
Right arrow References
Right arrow Alert me when this article is cited
Right arrow Alert me if a correction is posted
Right arrow Citation Map
Services
Right arrow Email this article to a friend
Right arrow Similar articles in this journal
Right arrow Alert me to new issues of the journal
Right arrow Add to Saved Citations
Right arrow Download to citation manager
Right arrowRequest Permissions
Right arrow Request Reprints
Right arrow Add to My Marked Citations
Citing Articles
Right arrow Citing Articles via HighWire
Right arrow Citing Articles via Google Scholar
Right arrow Citing Articles via Scopus
Google Scholar
Right arrow Articles by Sheldon, D. A.
Right arrow Search for Related Content
Social Bookmarking
 Add to CiteULike   Add to Complore   Add to Connotea   Add to Del.icio.us   Add to Digg   Add to Reddit   Add to Technorati   Add to Twitter  
What's this?

Effects of Contextual Sight-Singing and Aural Skills Training on Error-Detection Abilities

Deborah A. Sheldon

University of Illinois at Urbana-Champaign

Effects of contextual sight-singing and ear training on pitch and rhythm error detection abilities among undergraduate instrumental music education majors were examined. Experimental (n1 = 15) and control (n2 = 15) groups received identical training in instrumental methods and conducting. Experimental subjects additionally received 50 minutes of sight-singing and ear training per week over 11 weeks using materials drawn from extant band repertoire. Subject responses to errors in one-, two-, and three-part homorhythmic and polyrhythmic examples were examined. Results showed significant differences in correct detection of rhythm and pitch errors. Experimental subjects were better at error detection compared to control subjects. Subjects were better at detecting rhythm errors compared to pitch errors. They were best with one-part, did less well with two-part, and least well with three-part examples. Differences attributable to texture were not significant. Contextual sight-singing and aural skills training and practice may have contributed to short-term development of error-detection abilities.

Journal of Research in Music Education, Vol. 46, No. 3, 384-395 (1998)
DOI: 10.2307/3345550


Add to CiteULike CiteULike   Add to Complore Complore   Add to Connotea Connotea   Add to Del.icio.us Del.icio.us   Add to Digg Digg   Add to Reddit Reddit   Add to Technorati Technorati   Add to Twitter Twitter    What's this?


This article has been cited by other articles:


Home page
Update: Appliations of Research in Music EducationHome page
M. L. Henry
The Use of Specific Practice and Performance Strategies in Sight-Singing Instruction
Update: Appliations of Research in Music Education, January 1, 2008; 26(2): 11 - 16.
[Abstract] [PDF]


Home page
Psychology of MusicHome page
P. Fine, A. Berry, and B. Rosner
The effect of pattern recognition and tonal predictability on sight-singing ability
Psychology of Music, October 1, 2006; 34(4): 431 - 447.
[Abstract] [PDF]


Home page
Journal of Research in Music EducationHome page
D. A. Sheldon
Effects of Multiple Listenings on Error-Detection Acuity in Multivoice, Multitimbral Musical Examples
Journal of Research in Music Education, January 1, 2004; 52(2): 102 - 115.
[Abstract] [PDF]


Home page
Journal of Research in Music EducationHome page
M. L. Henry
The Use of Targeted Pitch Skills for Sight-Singing Instruction in the Choral Rehearsal
Journal of Research in Music Education, January 1, 2004; 52(3): 206 - 217.
[Abstract] [PDF]


Home page
Psychology of MusicHome page
C. Wollner, E. Halfpenny, S. Ho, and K. Kurosawa
The Effects of Distracted Inner Hearing on Sight-Reading
Psychology of Music, October 1, 2003; 31(4): 377 - 389.
[Abstract] [PDF]


Home page
Journal of Research in Music EducationHome page
M. E. Cavitt
A Descriptive Analysis of Error Correction in Instrumental Music Rehearsals
Journal of Research in Music Education, January 1, 2003; 51(3): 218 - 230.
[Abstract] [PDF]


Home page
Update: Appliations of Research in Music EducationHome page
H. C. Bernhard II
Singing in Instrumental Music Education: Research and Implications
Update: Appliations of Research in Music Education, January 1, 2003; 22(1): 28 - 35.
[PDF]


Home page
Update: Appliations of Research in Music EducationHome page
H. C. Bernhard II
Singing in Instrumental Music Education: Research and Implications
Update: Appliations of Research in Music Education, May 1, 2002; 22(1): 28 - 35.
[PDF]


Home page
Update: Appliations of Research in Music EducationHome page
H. C. Bernhard
Singing in Instrumental Music Education: Research and Implications
Update: Appliations of Research in Music Education, May 1, 2002; 22(1): 28 - 35.
[PDF]


Home page
Journal of Research in Music EducationHome page
M. J. Kostka
The Effects of Error-Detection Practice on Keyboard Sight-Reading Achievement of Undergraduate Music Majors
Journal of Research in Music Education, January 1, 2000; 48(2): 114 - 122.
[Abstract] [PDF]